Unicorns, gargoyles, dragons and centaurs!

Unicorn horns and narwhal tusks kept us all entertained during the first week of the summer holidays here at the Yorkshire Museum, writes Emma Williams, assistant curator of learning.

Wandering minstrel

We’ve chosen a theme of mythical creatures for summer 2012′s activities and invited in a wandering minstrel to bring them to life!

His first tale was called the Story of the Unicorn Horn; children in the museum could then take a look at our amazing narwhal tusk.

It is really beautiful, spiralled and about 8 ft long.

No one really knows the function of the Arctic whale’s tusk – many believe it is important in mating rituals or to impress rivals, like a lion’s mane, or a peacock’s feathers.

You can read more on the National Geographic website, which describes the narwhal as “the unicorn of the sea, a pale-colored porpoise found in Arctic coastal waters and rivers”.

Throughout the holidays we’re inviting our children to draw or describe their own mythical creatures and will be putting together the results into a ‘bestiary’, which will go on display.

This week we’re looking at gargoyles which can be seen on medieval architecture all around York (and also 13 – 19 August, and 27 August – 2 September) and you can have a go at making your own from clay.

Next week the theme switches to St  George and the Dragon (6 – 12 August), and later on in the summer we look at The Civilised Centaur (20 – 26 August).

Come along and join in the fun!

Visit the Yorkshire Museum website for more details.

by
No Comments

Royal support for Mystery Plays

Princess Beatrice with Janet Hull, community wardrobe supervisor

The Duke of York is to visit the York Mystery Plays set on Monday, to meet stars Ferdinand Kingsley and ex-Corrie villlain Graeme Hawley and directors Paul Burbridge and Damian Cruden.

He will see the staging going up here in York Museum Gardens which will eventually seat 1400 people under cover.

His trip follows hard on the heels of his daughter, Princess Beatrice, who came to York recently to meet the team of volunteers working hard on hundreds of costumes for the staff.

We’ve just had some lovely pictures back from a photo shoot from the Princess’s visit which give a glimpse of the 1950s costumes being prepared and some of the volunteers at work.

Here’s a selection for you to browse through – they were all taken by photographer Mike Cowling.

Princess Beatrice cuts some fabric for an Angel costume, watched by Janet Hull, community wardrobe supervisor

Princess Beatrice

Sewing

Needle and thread

A hive of activity

Drawings...

Matching pairs

Hats off

Threads

Drawing

Pressing

Things to do...

by
1 Comment

And the winners are….

Our Jubilee plate design winners have now been chosen!

After a long judging process of all the wonderful entries we had in the Jubilee plate competition at York Castle Museum we are pleased to announce the following winners:

Anna Cook's design
In the under 8′s category: Anna Cook, age 6

 

Ellie Bradshaw's design

In the 8 – 13 category: Ellie Bradshaw, age 13
Maisie Hayward's design

In the 14 – 18 category: Maisie Hayward aged 14

 

All the winners have been notified by post and their newly printed ceramic plate with their own design on will soon be winging its way to them.

Look out for the winning designs on display in the museum soon.

We also had the following runners-up: Jessica Argall, age 6, Harriet Bradnock, age 13 and Hannah Woodall, age 14, who all received a pack of watercolour pencils.

Thanks again to all who entered.

by
No Comments

Jubilee plates galore!

Nearly 500 people entered our Jubilee plate competition...

Nearly 500 people entered our Jubilee plate competition...

 

Over the half term holidays at York Castle Museum, we ran a Jubilee Plate competition with children designing a plate fit for celebrating the Queen’s Diamond Jubilee.

The prize for the winning plate in each age category is to be made into a real plate, with a copy for the winner and a copy to go on display in the museum.

To say we were inundated doesn’t quite cover the nearly 500 entries we had, all of which were an excellent standard, which made the judging even harder!

 

It's proving a difficult task to choose the winners!

It's proving a difficult task to choose the winners!

 

We have asked all the staff here to help us decide and we have nearly come up with three winners, although it’s been a very hard process, so we have decided to give out some runners up prizes too.

Watch this space for the winners being announced soon!

by
No Comments

Filming at the Castle…

Staff and volunteers around York Castle Museum were captured on film today as new footage was being gathered about what learning activities are on offer.

A Victorian lesson

A Victorian lesson

Children from Bassett House School, in North Kensington, London, got a taste of Victorian discipline from our strict teacher, played by learning facilitator Kirstie Blything.

Sessions in our Victorian street’s schoolroom are always popular with schools and from September, they will be able to book a whole day in the museum looking at childhood, which includes taking part in a schoolroom session in costume.

Teacher Hilary Richardson, from Bassett House, said the school also liked another workshop called Troubled Times in Victorian York, with actor Chris Cade playing a Victorian policeman. He was also filmed today in full costume!

Other new sessions from September will include a workshop on Florence Nightingale (KS1) and the Victorian Chemist (KS2).

Filming in the Military Studio

Filming in the Military Studio

The new film will also include examples of activities in our Studio spaces, which are often led by volunteers. Volunteer Chris Green, a former curator at Berwick-upon-Tweed Museum and Art Gallery, was filmed talking about some of the objects which will feature in new sessions about the First World War.

Visitors will be able to see these objects up close and handle some of them when they visit the museum’s Military Gallery.

How babies were dressed in times gone by...in our Collections Studio

How babies were dressed in times gone by...in our Collections Studio

Other sessions take place in our Collections Studio (at the end of the Toy Gallery) and the Kitchen Studio, which often hosts historic cookery demonstrations during the school holidays.

The new film is being made by Digifish TV of York and will appear on our website over the summer.

Learning manager Amy Parkinson said she hoped it would give a taste of what the museum could offer to schools, adult learners and general visitors wanting to find out more and get involved in activities.

 

by
No Comments

Installing a thousand glass bells…

A thousand delicate glass bells are now shimmering in the shafts of sunlight (well daylight anyway) which shine through the medieval glass windows of York St Mary’s, York Art Gallery’s contemporary art space.

Our team at work on the scaffolding at York St Mary's

Our dedicated team have spent five days on and off attaching the bells to fishing wire hanging from the roof of the former church to create Laura Belém’s installation, The Temple of a Thousand Bells.

Curator of Art Laura Turner at work

Curator of Art Laura Turner and Gallery Manager Lorna Sergeant first saw the installation at the National Glass Centre in Sunderland and thought it was ideal for the space at York St Mary’s.

Inspired by an ancient legend about a temple sinking into the sea, it will be accompanied by a polyphonic soundpiece.

Artist Laura Belém

Brazilian artist Laura Belém came over to the UK this week to supervise the installation process.

From left Simon, Laura, Shaun and Julie attach the glass bells to wire

Laura Turner was joined by senior gallery guide Julie Redpath, and freelance artists Shaun Pickard and Simon Skirrow, on the scaffolding!

The Temple of a Thousand Bells

The results are looking beautiful already…

The installation opens to the public on 25 May and runs through until 4 November, open every day, with free entry.

Visit the York St Mary’s website for more information.

A Temple of a Thousand Bells is part of this year’s Art in Yorkshire Goes Modern, a celebration of modern and contemporary art in 27 galleries throughout Yorkshire during 2012.

View down the church

by
1 Comment

May’s Monster Moon

Astronomer Martin Lunn has written this post for us about what to look out for this Sunday evening, May 6th…

The full moon in May will be a monster moon. It will be the closest full moon to the Earth this year. This will cause it to look about a massive 14 per cent bigger when it rises at about 8.08pm.

The moon orbits the Earth once a month, not in a perfect circle, but in an ellipse which means that there are times when it is closer to us.

The average distance from the Moon to the Earth is 384,000km (236,000 miles), but in May it will only be 357,000km (222,000 miles) away.

The moon always looks big when it is close to the horizon, but this is an illusion; if the weather is clear on the evening of May 6th be ready to see a Monster Moon!!

For more information, contact Martin via his website www.astrognome.co.uk

For details of opening times at the York Observatory in York’s Museum Gardens, visit www.yorkshiremuseum.org.uk/Page/Events.aspx

by
1 Comment

The Queen visits the Yorkshire Museum

Here’s some lovely pictures taken by photographer Gareth Buddo on the day the Queen came to visit our new exhibition 1212: The Making of the City at the Yorkshire Museum.

Crowds gathered outside the museum in the Museum Gardens to welcome the royal party on Thursday, 5 April.

Crowds wait in the Museum Gardens to greet the royal party

Crowds wait in the Museum Gardens to greet the royal party

The Queen is greeted by Janet Barnes, chief executive of York Museums Trust

The Queen is greeted by Janet Barnes, chief executive of York Museums Trust

Janet Barnes introduces the Queen to, from left, Denise Jagger, chair of the trustees, Professor Sir John Lawton, trustee, Andrew Morrison, head curator, and Natalie McCaul, assistant curator of archaeology

Janet Barnes introduces the Queen to, from left, Denise Jagger, chair of the trustees, Professor Sir John Lawton, trustee, Andrew Morrison, head curator, and Natalie McCaul, assistant curator of archaeology

Natalie McCaul, assistant curator of archaeology and the curator of the exhibition, talks to the Queen about the objects on display

Natalie McCaul, assistant curator of archaeology and the curator of the exhibition, talks to the Queen about the objects on display

Adam Parker, curatorial assistant, greets the Queen before telling her about the tombstone of Abbot Thomas Spofford, seen here laid into the ground.

Adam Parker, curatorial assistant, greets the Queen before telling her about the tombstone of Abbot Thomas Spofford, seen here laid into the ground.

University student Alex Beresford talks about her research into the St William's Shrine dating from 1330

University student Alex Beresford talks about her research into the St William's Shrine dating from 1330

Andrew Morrison, head curator, shows the Queen one of the arches from St Mary's Abbey

Andrew Morrison, head curator, shows the Queen one of the arches from St Mary's Abbey

Aisha Ali-Sutcliffe, creative projects officer, shows the Queen fashion pieces inspired by medieval objects in the museum, designed by students from York College

Aisha Ali-Sutcliffe, creative projects officer, shows the Queen fashion pieces inspired by medieval objects in the museum, designed by students from York College

Waiting children present the Queen with flowers before she leaves the Museum Gardens

Waiting children present the Queen with flowers before she leaves the Museum Gardens

The Queen is all smiles as she meets more children after her visit to the Yorkshire Museum

The Queen is all smiles as she meets more children after her visit to the Yorkshire Museum

by
1 Comment

Guns ‘n’ Grocers

Working on plans for York Castle Museum’s 1914 exhibition brought John Hoyland face to face with a stash of weapons - and the lives of those who had to use them in the First World War

Soldiers at ease, c1915, a photo from our collections

 

Yesterday evening, I had a poke around our armoury.

Not our personal armoury, you understand. M’wife and I don’t have a stash of weapons in a secret bunker under the shed in case of zombie apocalypse or anything like that. I mean our armoury at work.

Now, I’m not going to tell you where our armoury is, or how many guns there are in it, but there are quite a lot of them. Many of them are several hundred years old. Some of them are very new; they’re the sorts of things that you see on the news today, whether in the hands of the British Armed Forces or insurgents in the villages of Afghanistan or wherever. They’re all arranged on racks as if they’re in, well, an armoury, just waiting for a bunch of riflemen to come tramping through to be issued their weapons.

The thing is, I was quite surprised by my reaction when I walked in. My immediate response was, “Huh, cool!” It was all very Boy’s Own and exactly what I expected.

It lasted less than a second.

Hot on its heels – so hot on its heels that it was overtaking my initial reaction even as that reaction was forming – was more of an, “Oh.”

I stopped. It was a distinctly uncomfortable feeling. I didn’t like it.

Here’s why: All of the weapons in our collection, be they swords, crossbows, axes, halberds, polearms, dirks, trench-clubs, pistols, rifles, machine guns, rocket propelled grenade launchers, mortars, hand grenades, whatever, are all in our collection because they have a story to tell. They’ve been places, seen things, been used.

And let’s be honest, if that Vickers machine gun sitting in the corner has been used then that probably means a lot of people died as a result. Do you know the rate of fire of a Vickers MG?

It’s about 500 rounds per minute.

That’s potentially 500 lives snuffed out in a minute. Gone. Just like that. Easy. Minimal effort. Well done, soldier, job’s a good ‘un. Have an extra tot of rum.

I’ve called this blog ‘Guns ‘n’ Grocers’.  Nothing to do with unsuccessful rock groups quietly lamenting into their beer that Roses would have been a much more catchy title. Everything to do with actual grocers. And saddlers. And bank managers and shoemakers and silversmiths and sweet-shop owners and butchers and bakers and, probably, candlestick makers.

Confused? Let me explain. Part of the project that I’m involved with planning at work is a (very exciting) new exhibition for York Castle Museum, tentatively entitled “1914: When the World Changed Forever.” It doesn’t open until 2014 (hazard a guess at why…) and runs until 2018 (potentially around November time, I guess. Maybe the eleventh. I don’t know). We’re taking a look at how the world changed during the second decade of the twentieth century. We’re not just talking about war, but how much changed in the field of communication, science, art, the role of women, the world of work, class, religion… the whole of life.

This is where the grocers come in.

And the butchers, the bakers, the candlestick makers. Yadda yadda.

Men who weren’t soldiers, chiefly.

You see, at the outbreak of war, the rallying cry went out. Recruiting stations were set up. Volunteers were sought. Lots of men answered the call. They volunteered. They signed up willingly. Great. No problem there. They were trained and trained well. Time was taken over it. Oh sure, there was an urgency about it, ‘cos, y’know, there’s a war on and all, but it was good quality training.

Jump forward to 1916 and things change. The war’s still on, only people aren’t volunteering any more. The shine’s gone off it. It wasn’t all over by Christmas, it’s still going on and maybe, just maybe, we’re not giving the Boche the damned good shoe-ing that we thought we were.

Volunteering’s not working, so it’s time for Volunteering’s big, ugly brother to join the party.

His name is Conscription. He’s not pleasant. He’s the playground bully whereas Volunteering’s the captain of the sports teams. Volunteering’s popular. The guys look up to him because of his charm and easy wit. The girls blush whenever he strides by because, well, look at those thighs.

Back to our grocer (butcher/baker/yadda yadda). He sells fruit and vegetables to Mrs. Brown from number 43. They have a chat when she pops in for her potatoes. He asks after young Jonny. Jonny’s on the Western Front, you know. Lied about his age and signed up when war broke out. Mrs. Brown does worry.

Our grocer was all in favour of the war, back when it started. Sang the National Anthem as lustily as anyone when war was announced. After all, the Hun needed to know he’d overstepped the mark, right? But our grocer’s not a fighter. He’s not a soldier.

Except suddenly he is. Conscription’s got him. His choice has been taken away and he’s been given a rifle. A Lee Enfield .303. A damned good rifle, but it’s not what he’s used to and it’s not what he knows.

He’s been trained in its use, but that training’s gone about as far as ‘this is the business end, point it at the enemy.’ And now he’s in a trench. And the Germans are just over there. They’ve got shells. Lots of them. So many of them that they’re generous enough to lob a near-continuous stream of them at our grocer and his pals.

Our grocer’s still not a fighter. He’s still not a soldier. Sure, he’s got a rifle, a damned good rifle, but it’s not what he’s used to and it’s not what he knows. How he doesn’t break under the stress I have no idea. Many do. Mrs. Brown’s boy, Jonny, did (she does worry about him, you know). One too many shells shocked him just a step too far and he huddled himself in a corner and wrapped himself up into a foetal little ball, hoping that some unremembered memory of his mother’s womb might keep him safe.

It didn’t. They shot him as a coward. No matter that he was only seventeen and had lied about his age when war broke out. Clearly, clearly, he was a coward. And you have to shoot cowards don’t you, to stop the cowardice from spreading.

Sorry this is all a little morbid. It’s just that, confronted by our armoury, I found myself wondering how on earth you take a man and turn him into a killer of other men. I can get my head around it (which isn’t quite the same as saying I can understand it) if you’re talking about extensive training with willing volunteers. But taking a grocer, putting him in a uniform and shoving a rifle in his hands and telling him he’s a soldier now…

Maybe I should stop using a grocer as an example (he’s fictional, by the way, our grocer. Just like Mrs. Brown and her son Jonny. Fictional but oh-so real for it). Maybe I should use an HLF ‘Changing Spaces’ Activity Programme, Volunteer and Community Coordinator (my word I have a job title and a half…) as an example instead. Maybe I should do that.

But I don’t think I will. It’s a little too uncomfortable.

Find out more about planning for our exhibition 1914: When the World Changed Forever on York Castle Museum’s website.

by
4 Comments

Watermill area transformed…

Thanks to all the volunteers who came along to help us plant trees and shubs in the riverside area around the watermill at York Castle Museum at the weekend.

Planting

Looking down the riverbank

Work has been going on all winter on landscaping the area along the River Foss so visitors can explore along the bank and also learn more about the remains of the former York Castle next to the site.

The side of the mill with the remains of the Castle wall behind

We appealed for volunteers to come forward and help us put in trees and plants next to the new pathways and around the mill.

Looking down the mill towards Foss

Raindale Mill originally stood in the North York Moors and was rebuilt next to the River Foss behind the museum.

The mill pond

It is now back in full working order and will reopen to visitors later this Spring.

The wheel in action

Inside the mill

Thanks to all those who came and helped at the weekend – we managed to plant around half the trees and will be doing it all again on Saturday, 24 March.

If you would like to help out, please email our Volunteers Manager Fiona Burton at  fiona.burton@ymt.org.uk

More plants awaiting their new homes

 

by
1 Comment