Naughty children face disaster in cautionary tales…

We’ve been fascinated by a set of Victorian cautionary tales we’ve found for our half-term story-reading sessions, writes Lynda Withers, education assistant.

Woe betide any child who failed to follow the rules; they were set for a series of horrible, and sometime fatal, consequences in these stories.

Forget the naughty step and sticker charts, these were scare tactics taken to the extreme.

The book was called Struwwelpeter by Heinrich Hoffman and was first published in Germany in 1845.

We chose a few examples to read to children when they visit our Victorian schoolroom over the half-term holiday (along with some other stories from the time) but we had to reject some for being too horrific!

More details about our half-term activities are available on our website.

Here’s three examples of the Struwwelpeter stories from our copy of the book:

Struwwelpeter-(1)md

 

Struwwelpeter-(2)md

Struwwelpeter-(3)md 

 Struwwelpeter-(4)md

Struwwelpeter-(5)md

Struwwelpeter-(9)md

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Blood, sweat, tears and silver

We have just finished installing our latest offering at York St Mary’s – Thirty Pieces of Silver by Cornelia Parker – and as it is every year, it’s been a challenge to say the least! writes Jennifer Alexander, assistant curator of art.

Don't look down! The view from the top of York St Mary's as the grid was installed

Don't look down! The view from the top of York St Mary's as the grid was installed

 

First of all, we had to build a system of grids to suspend from the nine metre-high ceiling. This was the first challenge – we are not permitted to screw into the beams, so we had to suspend the grids from timbers laid over the existing beams.

The work itself is 30 pools of silver, each with around 30-40 squashed silver objects suspended five inches off the floor. Each object supported by two to four individual wires.

Two technicians worked at the top of the scaffolding attaching wires at the top according to a plan, and four of us worked on the floor, attaching the other end of the wire to the objects themselves.

Jenny, right, is pictured at work carefully putting the silver objects into their correct positions, helped by curator of art Laura Turner

Jenny, right, is pictured at work carefully putting the silver objects into their correct positions, helped by curator of art Laura Turner

 

It sounds quite straightforward but if one of us attached a wire to the wrong object it meant twisted wires and a lot of work to untangle them. It really tested our communication skills – “can we do the handle of the third fork in from the big spoon at the edge of the circle?” and “I’m doing the funny shaped object between the knuckledusters and the Eiffel Tower!”. We felt like we were on the Crystal Maze at times!

It seemed like it would take forever to complete and took three days longer than planned, but the end result is fantastic and well worth a look.

A close-up of some of the suspended silverware

A close-up of some of the suspended silverware

Finished! A view of the completed installation from above

Finished! A view of the completed installation from above

Thirty Pieces of Silver by Cornelia Parker opens on 28 May, at York St Mary’s, Castlegate, York. Visit our website for more details.

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Film shows wartime fashions close-up

Wartime fashions are the focus of a new film we’ve made as part of a year-long project called Talking Textiles, writes Gwendolen Whitaker, curator of history.

We’ve been looking behind the scenes of York Castle Museum at highlights of our costume and textile collection with the expert help of ex-conservator Mary Brooks. She has been shedding new light on what we know about how these fashions were made and worn.

As part of the exercise we decided to make some short films giving a close-up of some of the delicate pieces of clothing in our stores. We’re really pleased with the first one which looks at utility clothing, made during the Second World War and in the post-war rationing period.

Take a look and see what you think: Wartime Fashions at York Castle Museum

Thanks to the Monument Trust and the Museums Association for the funding for this project.

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What’s Hockney up to now?

I’m really looking foward to our special evening event this week with Marco Livingstone, writes curator of art Laura Turner.

Marco is an acknowledged expert on the work of David Hockney and is going to be talking about Bigger Trees near Warter and Hockney’s other East Yorkshire landscapes.

He is currently co-curating the huge Hockney show which opens at the Royal Academy in 2012 so I’m sure he’ll be able to tell us more about that. I’m a huge Hockney fan so can’t wait to find out more! 

Also intrigued to find out what Hockney is currently working on, as I know he has been making films of the East Yorkshire countryside near his home in Bridlington.

David Hockney, East Yorkshire, August 29, 2006. Copyright David Hockney. Photo Credit: Jean Pierre Goncalves De Lima.

David Hockney, East Yorkshire, August 29, 2006. Copyright David Hockney. Photo Credit: Jean Pierre Goncalves De Lima.

Visit York Art Gallery’s website for more details and how to book a place.

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Collections Snapshot – Sawfish Snout

 

Emma Bernard, who was Acting Assistant Curator of Biology, found this amazing sawfish snout in one of our stores. It is part of the Yorkshire Museum Natural History Collection.

Emma Bernard holding the sawfish snout

Emma Bernard holding the sawfish snout

Sawfish snout – Yorkshire Museum
Discovered lurking in a dark corner of Marygate, a strange looking object was found…
This object which resembles a chainsaw actually belongs to a sawfish, which are tropical rays related to sharks. A critically endangered group, they can be found in tropical and sub tropical waters in the Atlantic and around Australia. Sawfish can grow to large sizes, specimens up to 20 feet in length are quite common with ‘saws’ up to 6 feet in length.
Sawfish have a long flat body with a prominent flat blade at the front of the animal which is armed with strong tooth-like structures. These enlarged teeth are firmly implanted in sockets in the cartilage of the snout (rostrum).

sawfish2

Electroreceptors are contained within the snout which detects heartbeats of prey buried within the sediment such as prawns and other invertebrates. Sawfish use their snout for digging out buried prey and as it is motion sensitive, they can detect and slash at prey swimming past. A truly fascinating and impressive creature.

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Lee walks in footsteps of Lucius

Ever walked 800 miles in search of honour, adventure and wealth? This young man did. His name was Lucius Ducchius Rufinus – standard bearer to the Ninth Legion, son of Gaul and one of the founders of York. He is only known to us today because of his impressive tomb in the Yorkshire Museum.

Lucius
 
Two thousand years later Lee Clark, York Museums Trust’s press officer, tells the story of his journey to Lucius’ homeland (by plane) to get a glimpse of the life he would have been used to before marching into the bleak, unknown badlands of the north.

Feeding “criminals” to wild beasts wasn’t that popular apparently. It was when most people chose to go and get their drinks and salty snacks. Even for the Gallo Romans, watching wild animals tearing into helpless, screaming individuals was a bit much.

As I sit in the peaceful surroundings of Nimes’ amphitheatre it is hard to imagine such a blood bath ever took place here. The 20,000 seat arena is the best preserved in the Roman world and with its other impressive remains, Nimes is the perfect place to get a sense of the grandeur of Gallo Roman life.

Wandering its cool, winding streets you stumble upon the almost complete temple called the Maison Caree, while high above, surrounded by parklands, you can climb the Tour Magne, for brilliant views over the city.

Nimes-Amphitheatre

By the time of Lucius  (we know he died aged 28 in York between 71-120AD) Nimes had a population of 60,000, with fountains, thermal baths and even mains-connected houses supplied with water from an aqueduct. The source was 50KM away with a drop in height of just 17m – a gradient as low as 0.007 per cent in some places.

The Pont du Gard, 15 miles north of Nimes is an awe inspiring monument to this technological skill – a 490m long, 48m tall bridge where the aqueduct crosses a ravine. The most interesting thing is that they had technology not to build it – but they chose the more difficult option. Why? Maybe, just because they could. 

Pont-Du-Gard

Arles, 20 miles from Nimes, has an amphitheatre which is almost the twin of Nimes, probably created by the same architect. The town was the main Roman shipping port on the Mediterranean and its excellent museum, the Musee Departemental Arles Antiques, gives a brilliant insight into the huge international trade pouring into Gaul at the time of Lucius.

These days Arles is drenched in the charm of a provincial town, it is easy to see why Van Gogh spent so much time here. Cafe culture abounds and surrounds the ancient monuments.

As well as the amphitheatre, Arles has a beautiful theatre, built in 1BC, showing that more refined entertainment was also enjoyed by the Gauls. It could house 7,500 people and was once fitted with sumptuous green and red marble and statues of gods.

From Arles I travelled north, roughly following the Roman road to the town of Vienne. Once capital to the Gaulish tribe the Allobroges, it was here, a few miles south of Lyon, that Lucius was born. 

At the time, Vienne was one of the most important towns in the Empire and in 100 AD Tacitus described it as “historic and imposing.” It has a fantastic temple and the less impressive remains of a temple to Cybele, the Oriental Mother Goddess, where you could bathe in the blood of a sacrificed bull.

Theatre-in-Vienne

The stunning remains of the theatre housed 10,800 people and was the second biggest in Gaul. Sitting on one of its stone seats overlooking the whole town, it is strange to think Lucius probably sat here at some point enjoying the latest production.

Like Arles and Nimes, Vienne became rich on trade, with sixty thousand square metres of warehouses housing supplies such as skins, dried fruits, wine, fish in brine, fabrics and olive oil.

Nearly every spice we enjoy today would have been available – coriander and caraway from Egypt, cumin from Ethiopia and pepper from India. Marble was brought from the mines of Italy and Greece and even exotic pets such as panthers and lions would have been sold.

Lucius was born into this world and would have undoubtedly eaten Roman food, worshipped Roman gods and enjoyed Roman pastimes – but he didn’t abandon Gaulish beliefs completely.  It is likely he would have worshipped Sucellus, the Gaulish god of agriculture and forests.

There is a statue to him in the museum, and, looking through the collection at the Yorkshire Museum, there is a ring with the name of the same God. It is one of the very rare examples outside France, once worn by a Gaul serving or working in York.

Temple-in-Vienne

Sucellus was also the god of alcoholic drinks, something which was in keeping with Vienne’s Roman reputation for being an excellent area for wine production. While I was in the town there was a Roman wine festival, with the museum unveiling the first bottle of Allobroge/Roman wine produced using the tools, skills and ingredients they would have used 2,000 years ago.

For research purposes I gave it a try, while watching men in Roman costumes squash the grapes with their feet, ready for the next vintage. I am pretty sure Lucius would have longed for this, warmed by a red hot iron, on the long cold nights of the Yorkshire winter.

Indeed, it became clear that Lucius would have probably missed a great deal about his homeland. Even if Lucius arrived at the end of the Ninth’s time in York it would still have been very much a garrison town. It was also at one of the most northern points of the Empire, with only a trickle of supplies getting through compared to the vast warehouses that surrounded Lucius in Vienne.

The roasted duck seasoned with cumin and coriander, the beautiful decorated gardens, marble floors and the grandeur of Vienne’s forum would have seemed a long way away. Did he long for the great gladiator battles, the plays and, of course, the climate?

You can imagine him writing home, like soldiers do today, requesting items to be sent. Maybe he missed Gaul’s famous snails, cooked in garlic butter? They were a delicacy at the time revered throughout the Empire. I tried them, and personally I would not miss them a great deal.

Lee’s trip was paid for by the Robin Guthrie European Travel Award,  a new annual award giving a member of York Museums Trust staff  the opportunity to travel to Europe on a fact-finding trip. It was established in memory of our founding chairman, Robin Guthrie.

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Springtime in the Museum Gardens

Hopefully, spring is just around the corner, writes Stuart Ogilvy, assistant curator of  natural sciences, but for the natural world it has already started – in particular for birds that are beginning to pair up for the breeding season.

Blue Tit

All those groups of tits that you have seen during the winter months will have split up.

In the Museum Gardens, pairs of Blue Tits and Great Tits are everywhere and if you keep your eyes peeled you may see a pair of Long-tailed Tits. They are one of the earliest birds to breed and create a fantastic domed, globular nest out of moss and leaves.

There are several Robins singing in the Museum Gardens and Dunnocks too. If you listen closely you may also be able to hear the wheezy rasp of a Greenfinch.

A pair of Sparrowhawks has also been seen indulging in a courtship flight. This picture of a Sparrowhawk grabbing its lunch in the Gardens was snapped by Alicia Stabler, one of our Garden Guides.

Sparrowhalk

If you are walking in woodland you may hear the drumming of a Great-spotted Woodpecker. They do this rather than sing like other birds. 

If you do hear drumming pick up a piece of wood and try to emulate it by hammering it on a tree trunk in short rapid bursts. If you are lucky you could attract a territorial male that will think he has a rival to chase off.

Meanwhile, the first butterfly sightings of the year have already taken place in the Museum Gardens. A Brimstone has been spotted near our gardeners’ hut and I saw a Peacock flying out of the trees at the back of the Yorkshire Museum last week.

Spring is definitely on the way!

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Ichthyosaur goes on show in full

Our giant ichthyosaur – a marine reptile that swam in the seas above Yorkshire when the dinosaurs walked on land – is back in the Yorkshire Museum after being conserved and cleaned by specialist conservator Nigel Larkin.

It has been fascinating to see this eight-metre long creature come ”back to life”, as the pieces of its fossilised skeleton have been carefully placed back together like a giant jigsaw.

Nigel Larkin at work with our ichthyosaur

Nigel Larkin at work with our ichthyosaur

The ichthyosaur was found in an alum quarry on the North Yorkshire coast in the mid 1800s and is about 180 million years old.

This huge specimen was donated to the Yorkshire Museum in 1857. For many years it was displayed on a wall in one of our galleries, but 20 years ago it was taken down due to concerns about its condition, with only its head left out on display. In 2009 we were awarded a substantial grant from the PRISM fund, matched by York Museums Trust, so that the ichthyosaur could be conserved and redisplayed in our new ‘Extinct’ galleries.

Nigel-again-for-blog

A different view showing the length of the ichthyosaur

I started in my post here in late 2009 and one of my first jobs was to examine all the pieces before they went off for conservation. At the time it was really difficult to imagine how the specimen was going to look as it had been covered in conservation-grade tissue paper before being taken off display. There was also a lot of general dust and grime from its many years on the wall, and other materials including plaster from the original Victorian mount.

It has been fantastic to see Nigel, a paeleontological conservator, reuniting the head with the body, beneath our other two marine reptiles, a pliosaur and a plesiosaur, which have been bandaged up for the week to protect them from damage!

This is one of the biggest ichthyosaurs ever found in Britain and we’re very pleased and proud to have it back on display at the Yorkshire Museum. Come along and see it for yourself to appreciate the sheer scale of this extinct Yorkshire giant!

Find more information on our giant ichthyosaur and Extinct – A Way of Life on the Yorkshire Museum website.

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Art Fund Prize judges visit Yorkshire Museum

Michael Portillo comes face to face with the York Helmet

Michael Portillo comes face to face with the York Helmet

Staff were very excited to welcome Michael Portillo and his party of Art Fund Prize judges to the Yorkshire Museum on Friday.

We are one of ten museums and galleries across the country now competing for this prestigious £100,000 prize – the short list will be announced on May 20 once the judges have visited all ten.

We’ve been nominated for the £2million refurbishment of the museum which took place last year and the team which met the judges represented all the staff who pitched in to help – including our curators, education team, front-of-house and marketing staff, as well as managers, directors and trustees – and not forgetting the project’s building supremo, Geoff Hutchinson.

The judges were given a warm Yorkshire welcome, before watching a presentation about the refurbishment and then taking a guided tour around the new-look galleries.

Andrew Morrison, head curator and project leader, said he was pleased with the way the day had gone.

“They seemed to have a good time and their comments were all very positive. We were left with a feeling that we should be optimistic and we were pleased with the way we were able to present the project and the innovative way it was completed.”

Don’t forget you can help us by voting for us on the Art Fund Prize online poll. Many thanks to all those who have already done so!

The Art Fund Prize judges standing on our map of the Roman Empire. From left, Lars Tharp, Charlotte Higgins, Michael Portillo,  Jeremy Dellar and Cathy Gee

The Art Fund Prize judges standing on our map of the Roman Empire. From left, Lars Tharp, Charlotte Higgins, Michael Portillo, Jeremy Dellar and Cathy Gee

Our team with the judges

Our team with the judges

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Celebrating the life of a Roman Emperor

So the countdown has begun to an exciting week of film, fashion, drama, and performance poetry at the Yorkshire Museum, all celebrating the life of the Roman Emperor Septimius Severus, writes Aisha Ali-Sutcliffe, Precious Cargo project officer.
 
It’s an exciting but frantic time at the moment. The contemporary fashion mannequin exhibits inspired by the story, skeleton and grave goods of Sycamore Terrace Lady are all ready to go into our Roman Gallery!  Final and last-minute touches are being put to the Severus and the City film.

 

The Severus-inspired drama and the slam poets’ performance of African story telling closing with a Severus-inspired tale are all in final rehearsals before they go live here next week (see full details of our Severus events on our website).

Here’s my highlights of the final week of preparations…..

Fashion – The exciting news is that we are also hosting this amazing collection for Fashion City York. The BA Fashion students have created unique and interesting designs and I’m looking forward to them arriving at the museum later this week! One of the outfits is called Woman becomes Bird!!  Student Katrina Maughan has even created her own website about the process.

Film -  Late the other night, myself, film maker Paul Banks, and Jack and Florence, two young people who’ve worked on Severus and the City with us, were all upstairs in the Yorkshire Museum. We were recording voice-over links for the film with Jack and Florence in the reading area outside the library.

All was well until we packed up to leave! All of a sudden a cold, icy chill filled the area where we were standing, we all felt it at exactly the same time and quickly commented to each other how freezing it had become all of a sudden! As we moved out of the area and onto the steps the temperature returned to normal!

The last section of the film is about ghost stories in York becoming famous legends, and Harry Martindale tells us his story. So did we experience our very own haunting here at the museum?

Drama - Who would’ve thought Julia Domna would be reading her horoscope one day saying she was to meet a man and that man would turn out to be no other than Septimius Severus? And did you know Bruce Forsyth almost makes his way into this performance?

The Theatre Royal Young Actors Company will be performing this contemporary play titled Celebrating Severus on our Roman map in the main hall. From what I’ve seen already I’m certain the museum will be filled with laughter and applause at this funny and very entertaining energetic portrayal of various aspects of Severus’s life.

Slam Poets  – Watching the Leeds Young Authors rehearse The Birth of African story telling I can tell you it’s an impressive mix of poetry and theatre accompanied by drummers! This is sure to cause a stir in our Roman gallery. Catch the performances on the Mosaic.  Also a tip off – young poets will be wondering around the museum throughout the day sharing stories of Severus.

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