Images of the new display at York Art Gallery, courtesy of Gelder Harvey Architects
Windows of Opportunity
Every recession brings new opportunities, though usually for scrap merchants, insolvency practitioners and other scavenger occupations. York, England, has opened up some of those opportunities to the wider creative community.
Like most places York’s retail economy has been hit hard lately. The sight of dingy, empty shops is a real problem for a city that relies on its picturesque streets to attract more than 4m visitors a year.
A call went out for ideas and York Museums Trust responded with ‘Windows of Opportunity’. The thinking was: we want to change how these shops look but it’s very tricky to get permission to work inside them, so let’s just work with the surface. Vinyl was our solution. We would cover them up with giant, printed vinyls, like the ones advertising the new exhibition at the Castle Museum.
But what to put on them? These would be big, visible statements on the high street. Initially we played around with using actual statements – literature, poetry, quotations – but then broadened it out to any digital imagery.
We also broadened the pool of potential contributors by going world wide and inviting anyone to pitch in with their design. ‘WOO’, as it became known, was put on the web, initially on flickr and recently on a dedicated site.
The response has been excellent – dozens of brilliant ideas, all very well executed. All of them go on display on the website and a few of them win the ‘prize’ of being posted up in the real world. For the launch we chose three very different pieces of work to demonstrate the potential range of the project, and were ready to go.
But getting the first vinyls actually onto the windows was less straight-forward. It took weeks of haggling with various parties to get the permissions sorted out. In the meantime two of the empty shops found tenants. So another round of permissions was needed. It was sorted eventually and the first three windows were dressed at the end of August, to a universally positive response.
Funding has come from the City Council and the tourism body, Visit York, have put in a lot of the leg-work. You can see why they’re involved, but what’s in it for the Museums Trust?
The answer is a few different things. Some good publicity, of course, and some close working with key partners for the benefit of the city, which can’t be bad.
But what it also does is show that when museums use their traditional knowledge and skills to step outside their walls the results can be really interesting. A world of opportunities awaits…
Posted in York Museums Trust
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Bowl by Lucie Rie
This is probably one of the most celebrated types of bowls produced by Lucie Rie – the dribbly iron glazed rim is a famous design feature of her work. It’s a large bowl (over 28cm in diameter) and has warped slightly due to its size. Rie threw her pots with very thin walls and then made them even thinner by cutting back the pot with a razor.
The bowl, along with 42 other pieces, was given to us by the collector Henry Rothschild (1913 – 2009). Rothschild was a hugely influential figure in the British crafts scene and founded the Primavera gallery in London in 1945.
Rothschild had a particular affection for bowls and described this bowl as his favourite, his “Desert Island Disc pot”.
Lucie Rie (1902 – 1995)
Bowl 1949 is on Display in the new Gallery of Pots at York Art Gallery.
Posted in York Art Gallery
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